12 Timeless, yet bold LUTs for Modern Creators

Caramel -
Earth-toned high-key look that works well in brightly-lit scenes.

Everyday 1 -
A more-commercialized look with a neutral palette.

Inverted Caramel -
High-key, green-tinted highlights mixed with warm mid-tones make this a more artistic grade.

St Moritz -
One of my favorite LUTs in this pack. Cool highlights, warm shadows, punchy colors. Inspired by the Alps.

Cascadia -
Inspired by the forests of the Pacific Northwest. Faded shadows meets true-to-life, yet vibrant greens.

Everyday 2 -
A more-commercialized look with a green-tint.

Longline -
Ripped black skinny jeans and 2016 YouTube-inspired teals and oranges. Brought back to reality in this grade.

Tesseract -
My take on classic film prints. A highly-useful LUT to make any scene feel timeless.

Endurance -
One my most-used looks. Warm mid-tones, faded shadows, and classic blues.

Gotham -
Teal highlights and accentuated blues form the base of this urban-inspired grade. White balance is key with this look.

Fiordland -
Inspired by rainy scenes in New Zealand, this grade is perfect for those moody days without much color.

Vintage Vision -
By far my most used LUT this year. Vintage-inspired tones that make everything feel like a movie. Proper exposure is key.

Looks Included:

In adventure in Milford Sound featuring

Fiordland

The Fiordland LUT is perfect for bringing out the mood in rainy-day scenes. Inspired by one of the most beautiful days of my life in Milford Sound, this look truly thrives in the rain. That said, if you’re looking to cool scenes down on a sunny day, definitely give this LUT a try.

An adventure in Patagonia featuring

Vintage Vision

The Vintage Vision LUT is one of my most-used looks in my daily edits. I’ve found this preset to be incredibly versatile and adaptable with it’s film-inspired tint + bold cyans.

 FAQs

  • The pack includes 12 unique LUTs crafted by Kyle Kotajarvi—each in two versions:

    • Conversion LUTs (LOG to Rec709 + Look)

    • Non-conversion LUTs (Rec709 to final look)

    All LUTs are provided in .cube (65-point) format, compatible with most editing software.

    Conversion LUTs are provided for Sony S-Log 3, Sony S-Log, Canon C-Log 3, Canon Log, F Log, and DJI D-Log.

  • Yes. I optimized these LUTs to work best on the major camera brands - Sony, Canon, Fujifilm and DJI.

    I spent countless hours working to match the looks across the color sciences of each of these camera systems. That being said, no matching technique is perfect.

  • Not exactly—LUTs are a starting point. I designed these to be as close to a one-click edit as possible, but your exposure, white balance, and lighting conditions will always factor into the outcome of your color grade.

    Endura Tone is designed to give you the strongest possible base.

    I recommend adding Endura Tone as your final node in your node tree (if in Davinci) or top layer (if in a layer-based system) and applying primary corrections before the LUT.

  • Endura Tone is delivered in a .zip file with parent folders for Sony, Canon, Fujifilm, and DJI camera profiles. Within these folders are 12 65-point “.cube” files with a corresponding name to the looks listed above. Here are instructions for Premiere, Davinci, and Final Cut.

  • As soon as you complete your purchase, you’ll receive an email with a download link to the full LUT pack + installation PDF

  • If you run into any trouble, just reach out via the contact form on my site or reply to your confirmation email. I’m happy to help.

  • All sales are final.